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Between the Lines No. 2
198420th century
505 x 379 mm (19.9 x 14.9 in.)
Amy Cuthbert, American
Object Type:
print
Medium and Support:
Etching, aquatint, roulette, and monotype on Rives BFK paper
Print impression quality:
Excellent
Series:
from portfolio Point of Departure
Edition:
Number 49 from edition of 50 by Artist’s Proof (Cambridge, Massachusetts), directed by Jane Goldman and Catherine Kernan. The artists represented in the portfolio received MFAs in printmaking from the University of Wisconsin at Madison between 1965 and 1981.
Marks:
Signed in pencil, lower right: “A. Cuthbert”
Bibliography:
Point of Departure (Elvehjem Museum of Art, University of Wisconsin, 1984).
Credit Line:
Weedon Endowment funds, 1993
Accession Number:
1993.28.2
Keywords
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This object has the following keywords:
- monotypes - Unique prints made using the process of monotype. [June 1995 related term added; alternate term changed, was "monotype".]
- nonrepresentational art - Art which presents a visual form with no specific reference to anything outside itself. With regard to 20th-century art, use "Nonobjective." [May 1993 related term added.]
Dimensions
- sheet Dimensions: 505 x 379 mm (19.9 x 14.9 in.)
DAC Downloadable Open Access Image
No open access image available
Credit Caption
Amy Cuthbert, American . Between the Lines No. 2, 1984. From Point of Departure. Etching, aquatint, roulette, and monotype on Rives BFK paper. sheet : 505 x 379 mm (19.9 x 14.9 in.). DAC accession number 1993.28.2. Weedon Endowment funds, 1993.
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